Audio cabling

Keyman 🔑	Crew
Lacey Cox	Ruben Martinez; Zabrina Bourgeois; Karina Li; Layo Kirby; TaSanee Kirby; Ronan Gav Budd; Meyana Barnhart

Your team runs,routes, labels and protects the main audio cabling. Loudspeakers places the speakers, Stage runs the XLR microphone cables on the stage, and Power runs all electrical cables. Make sure Stage has the correct XLR cables and AMC-3 handoff, confirm their stage run is complete, and help if they need it.

Routing only:and handoff:
Audio Cabling doesdelivers notlabelled needcable to plug cables intoends; the loudspeakers,receiving team makes the equipment connections. Stage owns the on-stage monitors,XLR AHEC-2, AMC-3 stage box/multicore, wireless receivers, or other equipment. Run eachmicrophone cable to the correct location, leave enough slack, label it, protect the route,runs, and handPower theowns endmains to the team that will make the connection.cables.

Before starting, meet Lacey, review the team'team’s DC-83, and open the schematics.

Wear

Safety:
Roll heavy cases and use helpers for loads over 20 kg; wear work shoes and gloves. Keep equipment switched off while pulling the multicore cable. Keep exits clear and coverwalking everypaths floorclear. crossing.Accounting is beside the baptism area: agree that route with the Baptism overseer and keep cables and connectors away from wet floors.

Main reference — Sheet 1-1:1. seating and loudspeaker layout

Use Sheet 1-1 as the main referenceit for the A/V booth, loudspeaker positions and cable destinations.

🗺️ View venue layout — departments and room orientation

Use this only to orient yourself to departments, partitions and room features. Use the CABR schematics for A/V placement.

🔌 View Sheet 6-2 — loudspeaker wiring and splitters

There are two speakON splitters: LSCS-01 feeds the front loudspeaker group and LSCS-02 feeds the rear loudspeaker group.

What your team does

1. Start atCoordinate the stagepull andwith carefullyLacey. Carefully lay the 30 m AMC-3 audio multicore (snake) cable from stage to thebooth; A/V booth. Avoidavoid sharp bends, protect its connectors, and leave both ends ready for Stage and A/V Booth to connect.Booth.
2. Run the labelled speakON loudspeaker cables to the six passive-speaker positions with the Loudspeakers team.positions. LSCS-01 and LSCS-02 areis the twofront-group speakON splitters:splitter; LSCS-02 LSCS-01 servesis the front rear-group and LSCS-02 serves the rear group.splitter. Leave enough slack and hand over each speakON cable to Loudspeakers before the speaker is raised.
3. Run the two XLR active-speaker cables: return A to the stage-monitorstage locationsmonitors and return B to the lobby and Accounting speaker locations.Accounting. Leave the labelled ends ready for the Loudspeakers/A/V teamsBooth to connect.
4. Stage runsMake the four XLR microphone cables between AMC-3 inputs MIC-1–4 and the microphone positions. Make sure the correct XLR cables and AMC-3 handoff areready ready,for thenStage. confirmConfirm with Stage that thetheir routing to AMC-3 inputs 1–4 and labels are complete.complete; Help themhelp if needed.
5. Run labelled XLR cables betweenfrom the venue wireless-receiver location and theto AMC-3 inputinputs 5–6 location. Leave the labelled ends6, ready for A/V Booth to connect.
6. CoverProtect allfloor crossings with CPS-1 cable covers, covers/mats or carpet.CPS-3 Handcarpet. Inspect the labellededges endsfor toraised or loose areas before handing over the A/Vruns. Booth, Stage and Loudspeaker teams, then helpHelp trace any linecable that fails its test.

Extra help: When Stage, Loudspeakers and Power finish their own work, they should check with Lacey and help Audio Cabling with the remaining cable work.

Cable routing reminders

• Unroll cables carefully instead of pulling them intowithout twists or kinks.kinks; Keep anykeep attached Velcro with the cable.
• KeepAvoid audio cables away from participant paths and normal walkways where practical.

Where practical, do not runrunning audio cables parallel to power cables.cables Ifwhere they must cross,practical; cross them at right angles. Use only as much tape as needed. Use proper cable covers, mats or carpet wherever a cable crosses or enters a walkway. Keep connectors off wet floors and away from the baptism area. Before handing a run over,handoff, confirm theeach cable type, label and destination matchagainst the current schematic.

Safety:
Accounting is beside the baptism area. Agree the route with the Baptism overseer and keep every cable away from wet floors.

For the keyman

The routes below show where each cable goes; Audio Cabling does not make the equipment connections.

Run	Route	Drawing
AMC-3	30 m AMC-3 audio multicore (snake) cable: stage box → AHEC-2 at the booth	4-1, 6-1
Front speakers	speakON cable: Amplifier A → LSCS-01 (speakON splitter) → SPK-1.1 / 1.2 → 1.3	1-1, 6-2
Rear speakers	speakON cable: Amplifier B → LSCS-02 (speakON splitter) → SPK-2.1 / 2.2 → 2.3	1-1, 6-2
Stage monitors	XLR cable: AMC-3 return A → Stage Left → Stage Right	4-1, 6-2
Lobby / Accounting	XLR cable: AMC-3 return B → Lobby → Accounting	6-2

When the protected routes arepass protectedtheir and the line tests pass,tests, tell Lacey and Alex. SundayFor teardownteardown, assignmentsfollow willthe beconfirmed addeddismantling later;teams and instructions: wait for the teardownaudience to clear and the briefing beforeto removingfinish, anything.confirm power is off, then coil and inventory the cables.