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Schematics and equipment overview

Schematics and equipment overview

The CABR-2026 schematic is the drawing set for this assembly. Download the full PDF. The October BOM is the equipment list.

If you are a crew member, you do not need to memorize this page. Follow your keyman and your team's short instructions. Keymen use the exact measurements and connections below.

If the room does not match the drawing, stop and tell JP or Alex. Do not change the design on your own. Any change that affects the approved design must be confirmed through LBD.

Sheet What it shows Main teams
1-1 Seating and six passive-loudspeaker positions Loudspeakers, Audio Cabling, A/V Booth
4-1 Stage microphones, monitors and power routes Stage, Power, Audio Cabling, Loudspeakers
6-1 A/V booth and audio connections A/V Booth, Audio Cabling, Stage
6-2 Passive and active loudspeaker connections Loudspeakers, Audio Cabling, Power
View Sheet 1-1 — seating and loudspeakers

Sheet 1-1 seating and loudspeaker layout

View Sheet 4-1 — stage area

Sheet 4-1 stage area

View Sheet 6-1 — A/V booth wiring

Sheet 6-1 A/V booth wiring

View Sheet 6-2 — loudspeaker wiring

Sheet 6-2 loudspeaker wiring

Heavy cases

Case Main contents Weight / handling
AHEC-2/1 Audio rack 25 kg — use a helper
PLS-1 Six passive loudspeakers 150 kg, wheeled — Trucking help on Friday
TP-1 Six speaker tripods 100 kg, wheeled — Trucking help on Friday
ALS-4 Four active loudspeakers 50 kg, wheeled
SES-1 Ten 5 kg sandbags 50 kg total — unload one at a time
MS-1 Microphone stands 30 kg, wheeled
PCS-2 Power equipment 50 kg, wheeled
CPS-1 Cable covers and mats 60 kg, wheeled

Any case over 20 kg needs enough helpers. Roll wheeled cases and close all latches before moving them.

Keyman reference

Item Arrangement
Passive speakers Six on TP-1 tripods, about 5° down; normally 2.5 m high, except SPK-1.2 at 2.4 m.
Stage monitors Two active speakers from AMC-3 return A.
Lobby and Accounting Two active speakers from AMC-3 return B.
Microphones MIC-1–4 to AMC-3 inputs 1–4; venue wireless receivers to inputs 5–6.
Media computers PC-1 through AIF-1 to input 7; PC-2 through AIF-2 to input 8.
Projectors PC-1 HDMI to the venue HDMI extender transmitter.
DSP outputs Output 3 to return A; output 5 to return B. Output 4 is not used.

The venue also provides at least two wireless microphones and the HDMI extender. Alex arranges the two media computers. These items are not in the BOM. There are no cameras.